Thursday, September 30, 2010

A5: Searching For Literacy In "Unemployment" Images


Responses:

People in lines: seeming to converge, in secession, short people, tall people, men, women. Disorienting composition: Bodies without heads, no ceiling, no ground, no beginning of line, no end of line. Clothing and accessories: suit jackets, street jackets, casual jackets, purses, pockets, embroidered pockets. Body language: shrugged shoulders, hands in pockets, fisted hand, uneven weight distribution, folded arms. Part of a side of a mans face, looking forward. Representation within body language: bored, impatient, frustrated, anxious. Symbolic representation: Blue shirt; blue collar worker. Pin-stripped suit with white collar; white collar worker. Purses; women. Perspective; eye level looking down.

We're standing in a line somewhere, behind several men and women in suits. To our right and directly in front of us is an older, bald man in a pin-stripped suit and white, collared shirt. He seems to be starring ahead, like us, at the other people in line. A raising fist, of a man a few people ahead of us, is captured mid gesture. Maybe he's about to scratch his ear, or give someone a fisted hand greeting, or attempting to compress a lump of coal into a diamond while dancing robotically; it's hard to say. A man directly in front of him in a blue, button-up shirt and gray slacks, seems to be fidgeting with something in his pocket. Ahead of him is a person with a gold embroidered design on the back pocket of their denim pants, an abstract s-shaped, squiggly-line, ending in a spiral, which resembles the number nine. Another line of people in suits seems to be converging into our line to the left. Again to the right, and visible a few people in front of us is a monochromatic woman, red hair, peach suit and matching purse. She seems to have her arms crossed, by the way her shoulders are positioned and her head tilted to the right, maybe trying to look over the shoulder of the tall man in a dark gray windbreaker, directly in front of her. An extremely short woman in a black parca-type jacket and black purse stands in front of the tall man. There are about ten people in this image, standing in two lines, seemingly impatient and bored. Where is this line going? It's quite disorienting, there is seemingly no end to the line; by this I mean there is no beginning, the front of the line is obscured by people and there are is no counter, or door, or signs to denote a purpose for standing in this line. On top of this, there seems to be another line converging into ours, adding to this sense of disorder and purposelessness.

This is an interesting image to find in reference to "unemployment" for its symbolic content.  In searching with this word, I found many images of people, with distressed and blank expressions on their faces standing in long lines at, implied, government agencies. The emotional content relates personally, whereas the lines are representational of amount of people affected and bureaucracy.  Here we have only body language, clothing, accessories, and gestures to piece together what the photographer may be implying with this image in reference to unemployment. If we take the blue and white collar shirts to be symbolic references to social economic classes, the fist to be representational of being hit, and the emphasis on purses and pockets to represent money, then one way to read this image might be, that all social economic classes have been hit financially by the poor economy, therefore needing unemployment- a disorienting and disembodying experience which has no end in sight (?). Depressing. The upside is, this could be a picture of the lunch line in any metropolitan area; or it helps to add to the title, making it "Unemployment Benefits Extended".

Tuesday, September 14, 2010

Feature Channels



The Dumpster_by: Golan Levin, Kamal Nigam and Jonathan Feinberg.

http://artport.whitney.org/commissions/thedumpster/

The dumpster is a visually dynamic, interactive, curiosity machine which makes excellent use of the feature channels discussed in class. The byline calls it "a portrait of romantic breakups collected from blogs in 2005". In effect, it's a multi-dimensional data visualization which uses color, size, motion, and spacial layout to display similarities in terminated relationships that were posted on the web in 2005.

These "breakups" are deemed similar by language used, demographic and emotional content and are represented by color, size and proximity. The multi-sized and colored circles displayed on the screen bounce into action once the Dumpster is initiated. Each circle is representative of the overall data, some 20,000 entries. When you scroll over the circles, the cursored one, changes color from orangey-red to pink with a blue surround, as well as increasing in size. This is effective in differentiating between what can be selected and the rest of the bouncing, vibrating circles. Once selected the circle turns yellow with an orange surround and increases in size as well. At this point several colored pixels appear to the left of the screen. This shows similar breakups within the overall data, with the brighter pixels being closer in search criteria: language used in the breakup; sex and age of the author; and "emotive words" (?). Further as soon as a circle is selected the circles that enter the center screen become the data represented to the left. The size of these circles shows the length of the post and the color and proximity to the chosen post relates to their similarity in search criteria.

The bar graph below the central screen of bouncing balls is a timeline which relates to the data on the left. It shows a timeline broken up by weekday, month and date and displays what could be  selected bar by enlarging the scrolled over bar within the graph as well as changing it's color. Above the enlarged bar is the weekday, month and date and the number to the left of the date represents the number of entries for that day which is further represented by the height of the bar within the graph. When scrolling over the data (pixels) to the left, the bar graph data becomes active, displaying the details of this macro view, while the blue box under the cursor shows the general area of pixels which are being scrolled over. The ID number, age, sex, and number of matches of the active pixel are displayed in the bottom left corner along with a blow-up of the area.

Super interesting project. Too bad my interest in the content is really limited. The interactivity is great except that the data can't be chosen, for some reason (?), from the timeline. This seems like an obvious thing to do. Then I could see how many people were dumped on the same days I was!  The overall display is visually engaging to the point of turning my mind to mush just watching these balls do their thing, making effective use of read and discussed "feature channels".

Tuesday, September 7, 2010

Top-Down Visual Processing

My understanding of top-down visual processing is that it's part of how we understand what we see in real time. It's a goal-based visual activity which uses several fixation points to surmise the function of a thing or how we interact with it.
Being an interdisciplinary major, I've chosen a product for this exercise whose function is highlighted by its written labels. Featured here is Akai's LPK25, Laptop Performance Keyboard. The label, displayed prominently in the upper left corner clarifies the manufacturer and function of this plastic object, however it's not the most prominent fixation point; that being the white and black keys which immediately denote it as a musical instrument with just over two octaves in range. Other fixation points would be the square buttons which give insight to the functional capabilities of this keyboard. First and foremost, that it's electronic, not acoustic. And second, it gives some insight as to the sounds this keyboard is capable of, via the colored labels. These also coincide with the labels above the keys, giving insight to the inner workings of the unit, how it processes and allocates the sounds. The unit is powered via USB, which gives insight to it being a controller, meaning it has no sounds of it's own, simply plays the routed sounds off the software programs from the computer it's hooked in to. I should add that it's size makes it very portable, a quality which abstractly aligns it to being used with a laptop.